Just the title alone is enough to show the problem. In Food Inc., Robert Kenner, who has
produced films such as An Inconvenient
Truth and America’s Endangered
Species: Don’t Say Good-bye, calls on us consumers to look behind the walls
of the chicken coop, the slaughterhouse, and the courtroom as he attempts to
expose the atrocities and injustices that occur on a daily basis in the food
industry. In this eye-opening documentary, Kenner gives his audience insight
into the lives of the victims, from the antibiotic-juiced chickens whose legs
can’t support their own weight, to the innocent farmers who have been crushed by
corporate giants in unfair legal battles. The film culminates with a segment
detailing the various ways an average citizen can support the cause, which
becomes very meaningful as a result of Kenner’s effective use of rhetorical
strategies to create concern over the issue.
Kenner capitalizes on an appeal to pathos
throughout this movie, drawing from the tough realities faced by both those in
and outside the food industry. He gathers stories from a diverse array of
people, including a lower class family struggling to afford anything but fast
food due to the expensive medical bills brought on by diabetes, the mother of a
deceased child that consumed tainted meat who has since become an advocate of
increased regulation of food producers, and a farmer whose resistance to a
large company caused the loss of his business. Kenner also presents the
brighter side of the food industry, interviewing an independent farmer who
refuses to feed his cattle corn or use growth hormones on his chickens, and the
CEO of Stonybrook Farms, who sees great potential in the organic sector of the
business. While this may seem like a lopsided and incomplete picture of the
situation, Kenner substantiates his and the “victims’” claims by making it
clear that each of the giant companies like Smithfield, Perdue, and Tyson
declined to comment or interview at all. This format of presenting a
heart-wrenching story and accompanying acknowledgement of the opposing side’s
argument is mimicked throughout the film, as Kenner explored the different realms
of the massive machine. At the end, the viewer gains a clear understanding of
the situation in its entirety, and is therefore likely to listen to the request
for action presented at the end.
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